The Atlantic Cities takes a pictorial stroll through Matthew Picton’s paper sculptures of cities, combining their streetmaps and their history in a way that quickly conveys geolocated information about major events. The Atlantic’s Mark Byrnes says:
“In his series “Paper Sculptures,” Picton creates hand-cut and folded paper 3D street grids. He also incorporates art, text, or even special paper to evoke something specific about the city (often, a historical event or time period). So, for example, Picton’s London “Great Fire” of 1666 map depicts burned illustrations of 17th century street life. In the case of Las Vegas, Picton uses neon green paper decorated solely by the words from Hunter S. Thompson’s Fear and Loathing in Las Vegas.”
While these are primarily positioned as art, and deservedly so, I like the concise and subtle information design, communicating the damage done by the French invasion of Moscow or the progress of the Kennedy motorcade in Dallas with tremendous economy.