The future is fast approaching

Caught up in an information culture.

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“Initially George was adamant that we edit the action sequences silently – no sound effects, no music. The rhythm of the visuals has to work as best it can before being enhanced by sound and music. No hiding allowed. This also allows you to focus very intensely purely on the visuals and not be distracted by temp sound.  Once we have milked the picture edit, then great attention is paid to sound and how it can enhance the storytelling. It​’s not only in the high impact scenes but in the more subtle scenes for which sound adds another vital dimension. In the scene where Max meets the girls and the subsequent fight sequence, sound designer David White put a huge amount of work into the chain effects, the water effects and other Max ‘headspace’ sounds. The soundtrack knits the shots together and amplifies the whole immersive experience.”

Margaret Sixel on editing Mad Max: Fury Road (via a fantastic interview by The Screen Blog)


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“Learn to Say F*ck You”: Sol LeWitt’s Advice to Artists, Put to Music (Video, 2013)

Animated still from MOCAtv's "Learn to Say F*ck You", with words by Sol LeWitt and music by Rancid. (2013)

From MOCAtv’s “Learn to Say F*ck You”, with words by Sol LeWitt and music by Rancid. (2013)

Sometimes there’s a mashup so sublime, you just can’t resist. Modern art, punk rock, and good creative advice?  I’m on board.  I’m so behind that. Swirl some bright colors in my face, and the deal’s done.

MOCAtv, the digital channel of the Museum of Contemporary Art, writes this about their video:

In 1965, Sol LeWitt wrote fellow sculptor Eva Hesse a four-page letter of encouragement, urging her to stop doubting herself and to simply continue making her work. Despite the fact that some would consider their friendship unlikely, the two sculptors were close friends and wrote to each other frequently about their ideas, work, and personal lives from 1960 until Hesse’s death ten years later. Often quoted, LeWitt’s letter has become a source of inspiration and a vote of confidence for many artists the world over.
Producer Aaron Rose (Beautiful Losers, Become a Microscope) worked with punk rock band Rancid to remake LeWitt’s words into a bold and boisterous song. With wild and wavy LeWitt-inspired animation, this video energetically embodies the message of its writer.

Watch the video below, and if you’re up for a little hand-writing archaeology, you can also read LeWitt’s full letter.

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Weekend Longform Video: Night Mail (1936)

Detail of Pat Keely's poster for Basil Wright's Night Mail (1936).

Detail of Pat Keely’s poster for Basil Wright’s Night Mail (1936).

Night Mail shows both the daily operations of two of the most efficient infrastructures ever developed, mail and rail, and something that today sounds so fantastical that it could have walked out of a steam-age fantasy or magical realism novel: a rolling post office speeding down the rails all through the night, humming with postal clerks, never once stopping as it delivers and picks up mail from each station along the route.   Continue reading

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Visualization of the Beach Boys’ Harmonies (2013)

Still from Alexander Chen's graphical visualization of the Beach Boys' Harmonies.

Still from Alexander Chen’s graphical visualization of the Beach Boys’ Harmonies.

Alexander Chen is a New-York-based designer for Google and a musician.  While experimenting with visually representing notes, he was inspired by the relationship between the diameter of a church bell and its pitch, and transcribed the harmonies of a Beach Boys tune to create a visualization that represents each pitch by a circle with related diameter.  It’s a lovely, minimalist representation of complex harmonies.

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The days of moving pictures flying on radio waves

Television pioneer C. Francis Jenkins with a motion picture prototype in 1925.

Television pioneer C. Francis Jenkins with a motion picture prototype in 1925.

This interesting historical sidenote comes via Shorpy.  This is inventor Charles Francis Jenkins, who later became an early pioneer of television and founder of SMPTE, the Society of Motion Picture and Television Engineers, who, though they may not be a household name, created color bars for calibrating screen color that everyone will recognize. He’s demonstrating a 1925 prototype of motion picture broadcasting that creates moving pictures when hooked up to the radio, which he first described it in 1913, but didn’t build and demonstrate till the early 1920s.

From the description, I believe that the box on the right is projecting onto the white space inside the frame on the wall, with a reflector in the raised portion of the box redirecting light from a bulb beneath it.  There’s most likely a spinning disk in the semi-circle, driven by a motor that takes up the rest of the box.  My initial thought was that the disk contained the frames of the animation of the girl, but after reading more, I don’t believe that’s the case – the image is actually being transmitted and created on the fly.  This is mechanical television, which is a different beast from the television technology that soon dominated, Farnsworth’s electronic television, and I’m not certain how the images are being created from the transmitted signal.

Jenkins’ history with motion pictures stretches back to 1894, when he started work on a project that would later be acquired by Edison, and hundreds of patents later, turned towards military and commercial modifications for aircraft and ships.  But he’s also responsible for that spiral-formed cardboard box your Quaker Oats come in.

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So you’re making your weekend plans in New York, and you can’t decide between taking in some art or going to an open-source hackathon.  Dear reader, I sympathize; we all have these dilemmas.  Art and technology center Eyebeam have teamed up with internet technology giant Mozilla, and they have you covered.  From Eyebeam: “Open(Art) is a joint initiative launched by Eyebeam and Mozilla to support creativity at the intersection of art and the open web.”  Their exhibit runs from July 12 – August 10, 2013, with an opening reception on Friday, July 12 from 6-8pm and workshops on Saturday, July 13 from 12-3pm.  The workshops are free, but registration is required.  (Want more?  There’s a Mozilla Maker Party for teens on July 15th from 10am-3pm.  The Moving <img> Storytelling workshop  will cover stop-motion animation, rotoscoping, pixilation, and several types of animated GIF.)

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Stereopublic, an app to find oases of quiet in the city

Australian sound artist Jason Sweeney created Stereopublic as “a participatory art project” and “a sonic health service”, and a way of sharing geolocated quiet places in the cacophony of urban environments.  Emma Quayle, a UK sound artist, has helped make custom version of the app for Edinburgh, making a map of sounds “charting the quiet crooks and bends of Edinburgh”.  Wonderful combination of collaged ambient sound and the awareness of sound levels as a health issue in cities.

(via TED)