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“Initially George was adamant that we edit the action sequences silently – no sound effects, no music. The rhythm of the visuals has to work as best it can before being enhanced by sound and music. No hiding allowed. This also allows you to focus very intensely purely on the visuals and not be distracted by temp sound.  Once we have milked the picture edit, then great attention is paid to sound and how it can enhance the storytelling. It​’s not only in the high impact scenes but in the more subtle scenes for which sound adds another vital dimension. In the scene where Max meets the girls and the subsequent fight sequence, sound designer David White put a huge amount of work into the chain effects, the water effects and other Max ‘headspace’ sounds. The soundtrack knits the shots together and amplifies the whole immersive experience.”

Margaret Sixel on editing Mad Max: Fury Road (via a fantastic interview by The Screen Blog)


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“Editing this film was tough because there’s very little dialogue, which is how scenes are structured, so the options are endless. It was a relief to find a scene with dialogue. You cut them in a day. It’s ridiculously easy.”

Margaret Sixel on editing Mad Max: Fury Road